Image size a concept that has more than one meaning:
The dimensions of a printed or displayed image, measured in inches or pixels.
The file size, or how much disk space the image file occupies, measured in KB or MB.
Both of these are influenced by the resolution of the image: the higher the resolution, the larger the dimensions and the more disk space occupied.
The following sections will provide a more detais about resolution and file size.
As mentioned in the definition of terms earlier in this tutorial, resolution refers to the sharpness and clarity of your image. Of course, the sharpness and clarity vary depending on the context of the image. Are you scanning or viewing your image? Are you viewing it on a computer monitor, or are you looking at a printed page?
Scanning: When scanning your images, you are usually prompted to choose what resolution you would like your images scanned at. The intended use or display of your images will help you make this choice.
Printing: Images intended for high-quality printing should be scanned in at no less than 150dpi, preferably 300dpi. Remember, dpi is "dots per inch", and the more dots per inch, the sharper and crisper your images will look on the printed page. Many publishers have minimum resolution requirements for digital image submissions - make sure you know what's required before you start digitizing.
Computer display: Images intended primarily for display on a computer monitor (such as email attachments or images on a Web page) really only need a 72ppi to 96ppi resolution, as that is what computer monitors are capable of displaying. A higher resolution will not make your image appear any better on the screen. In fact, if you don't expect folks to print out your images, these images should be "optimized", which means making them as small and compressed a file as possible (while still retaining the appropriate visual clarity), so that they load quickly, and do not take up too much space on the hard drive.
TIP - Optimizing images for computer/Web display involves compression, which throws out some pixel data. You cannot then enlarge the optimized images without encountering pixelation (see second example below).
TIP - if you need to make high resolution, large files available via the Web or computer, create "thumbnail" versions of your images that then link to the larger images. This prevents your viewer from enduring slow loading times for images they are not interested in seeing.
|
Resolution Example(image courtesy of author) |
||
|
In order to see distinguishable differences in between the low-resolution JPG image below and its high-resolution TIFF counterpart, print the handout (available from the menu on the left) |
||
|
|
Format: JPG DPI: 72 Pixel Dimensions: 361 x 210 Print Dimensions: 5" x 3" File Size: 222KB |
|
|
|
||
|
Enlarged jpg image with individual pixels visible |
||
Image files normally range in sizes measured in Kilobytes (KB or K) and Megabytes (MB or M); extremely large files may be measure in Gigabytes (GB). Images for print will have larger file sizes, since higher resolution = more data stored in the file. Images for Web or computer display will have smaller file sizes.
As a general rule (and there are appropriate times and places to break it), Web images should fall between 10 and 200K; images with larger file sizes will load more slowly, and generally be too cumbersome for effective computer distribution and display.
Saving your images in .JPG or .GIF format will automatically compress and reduce your file sizes significantly, so that you can fit more files onto a disk or attach more to an email message, without exceeding the disk storage or file size limits.
Inserting images into presentations or other
documents:
Resizing images on the screen after inserting
them into your PowerPoint presentation or Word document does *not*
reduce the file size of that image; this only changes the dimensional
display size of the image in that document. Presentations and other
documents that contain numerous images can become very large in total
cumulative file size. In order to keep such presentation and document
files at a reasonable size, you should appropriately resize your
image files in an image editor before inserting them into your final
document.
Protect Originals: Keep the original, high-resolution versions of your images (which should be in TIFF format, if possible) in a separate place from your working documents or optimized Web images. Back up your important documents on some kind of external storage medium (CD-Rom or fire wire drive, for example). This will help to ensure that you have something to go back to and work from should something unfortunate happen to the other files.
Name Files Accurately: Develop a file naming convention that will help you accurately identify your files. Names that include descriptive information, version or size information, or intended use information can be helpful when managing large digital image collections.
Right click on your file in Windows Explorer or Mac OSX Finder. Choose "Properties" or "Get Info" (Figure 4), respectively, to see the file type or "Kind," file size, and other information (Figure 5).
|
Figure 4 |
Figure 5 |
In the Windows Explorer or Mac OSX Finder, choose to view a
list of your files with details, by clicking View>> Details or
the button
,
respectively.This will display your detailed file information in
columns. In Mac OSX, these are labeled file Name, Date
Modified, file Size, and file Kind (Figure 6).
|
|
|
Figure 6 |
While working in a photo editor, such as Adobe Photoshop, you can see the file type and size information in either the bottom border of the application window (Windows) or the top and bottom borders of the document window (Mac OS) (Figure 7).
|
|
|
Figure 7 |
I'll also go over batch processing, a valuable time-saver when applying the same edits to large numbers of files.
Other common editing tasks, such as adjustments to exposure or color balance, can be performed either when you scan the image, or later when you use an image editor.
NOTE: The difference between the Crop function and the Cut function is this: Crop removes what is outside your selection marquee; Cut removes what is inside your selection marquee.
To crop an image, select the portion of the image you wish to keep by using one of the marquee tools from the toolbox. Then go to Image >> Crop (Figure 8). Your image will be reduced to what was inside your selection, or in the case of using the elliptical marquee (as in this example), it is reduced to what rectangular format most closely approaches the edges of the selection circle (Figure 9).
|
Figure 8 |
|
Figure 9 |
You will notice when you adjust the numbers in the pixel dimension area, the document size numbers adjust automatically (and vice-versa). This is because pixel and print size are related, and affect one another. You may find it necessary to have one image sized optimally for computer display (from the original), and another copy of the image sized optimally for print (also from the original).
Selecting "Constrain Proportions" will ensure that adjustments to width will automatically adjust the height proportionally, and vice-versa, so that your image doesn't become distorted.
|
Figure 10 |
Step 1 - Record Action: Display the Actions pane in Photoshop by going to Window >> Actions. Then click the "New Actions" button in the lower left of that window (Figure 11). Type a name for your action in the dialog box that appears, and click the "Record" button (Figure 12). Then perform the operations that you wish to perform on all of your images.
|
Figure 11 |
|
Figure 12 |
Step 2 - Batch Process: Now that I have an action recorded, I can proceed to batch process my other documents using that action. I will go to File >> Automate >> Batch, and in the dialog box that opens, I will choose to play my "duck action" (Figure 14A).
For the Source section, I need to define the source files upon which the action will be performed. I organized all my source images into one folder, which I now designate by clicking the "Choose" button (Figure 14B), navigating to that folder, and clicking "Choose" again.
Next is the Destination section, in which I designate where my edited files will be saved. This should be a separate location from my original or source files. I select "Folder" from the Destination drop down menu, then click the "Choose" button, and navigate to and choose an appropriate folder.
In the File Naming section, I have many choices of combining the document name (derived from the original source file), plus the document extension (also derived from the original source file, unless saving in a new format was included in the action), plus date stamps or serial numbers, to help me keep track of various edited versions of the same image. I'll choose "Document Name" + "extension" + "mmddyy" (Figure 14C), and I'll select all the compatibility options available (Figure 14D).
If there are errors, I don't want the batch processing to stop, so I'll choose "Log Errors to File" from the Errors drop down menu (Figure 14E) and specify what I want that log file to be called and where it should be saved. Now I'm ready, and I'll click "OK".
|
Figure 14 |
After some brief flickering and flashing of document windows that may occur while the batch processing action is running, you will end up with caboodles of images edited to your specifications and saved to the location of your choice, all before you can say "I love batch processing!"
Whatever tool you are using, you will basically be performing these tasks:
open your image file
zoom in on the eye/s you want to fix
configure the "remove red-eye" tool with some settings best suited to your image
choose a replacement color for the red you wish to replace
drag or paint over the red with the mouse, replacing the red with the color you chose
After you have done this once or twice, you'll be a pro. Remember, you can always go to the Help menu in your image editor and type "remove red-eye" to find helpful information.
Here are some links to software specific instructions and more detailed information about the "how" and "why" of red-eye:
Removing Red Eye from Digital Photos
http://graphicssoft.about.com/od/redeyeremoval/
ACD Digital Photo Software
Tips
http://www.acdsystems.com/English/Community/ColumnsArticles/SoftwareTips/software-2005-05-11.htm
Removing Red-Eye with the GIMP
http://gimpguru.org/Tutorials/RedEye2/
Here are a few examples of software applications that can help you find, organize, and share your digital images. Some of these offer basic editing functions as well:
Apple iPhoto
http://www.apple.com/ilife/iphoto/
General Digital Imaging Resources:
About.com - Working with Digital Photos and Scanned
Images
http://graphicssoft.about.com/od/digitalphotography/
Art-Support.com
http://art-support.com/creatingsites2.htm
Scanning Resources:
Scanning - Software Tips and
Help
http://graphicssoft.about.com/od/scanning/
All Graphic Design Scanning
Tips
http://www.allgraphicdesign.com/scanning.html
Tutorials Guide - Scanning
Tutorials
http://www.tutorialguide.net/computers/scanning/
Image Editing Resources:
An Introduction to the
Gimp
http://www.ischool.utexas.edu/technology/tutorials/graphics/gimp/index.html
Getting Started with Adobe
Photoshop
http://www.ischool.utexas.edu/technology/tutorials/graphics/photoshop7/
Photoshop Tips & Tricks
http://www.graphic-design.com/Photoshop/
Digital Imaging Resources for Library Preservation & Conservation Professionals:
Moving Theory into Practice:
Digital Imaging Tutorial from Cornell
University
http://www.library.cornell.edu/preservation/tutorial/contents.html
Conservation Online, Stanford
University
http://palimpsest.stanford.edu/bytopic/imaging/